Wonderful Town is Wonderful

Leonard Berstein's New York inspired musical Wonderful Town arrives at the Birmingham Hippodrome this week, giving audiences classic Broadway showtunes and energetic dance numbers. The production stars West End favourites Connie Fisher and Michael Xavier as Ruth Sherwood and Rob Baker as well a strong supporting cast and a tight ensemble.

Lucy Van Gasse stars as Fisher's petite blonde stage sister - Eileen Sheerwood - with the looks and voice to match her natural stage presence. Her comic timing and performance of the love ballad "A Little Bit in Love" is charming, funny and commands attention. Nic Greenshields is funny but loveable as the larger than life Wreck, with hilarious chemistry with his onstage wife Tiffany Graves. The show boasts a strong supporting cast, each one deserving individual praise for their hard work and commitment to the show. Connie Fisher plays a good leading lady and is an instant win with audience's, although Gasse really should have the final bow... The main cast is only made stronger by a talented ensemble, spending the majority of the show performing highly energetic dance routines that keep the production's pace going.

Lucy Van Gasse steals the show as Eileen

Andrew Wright's contemporary musical theatre styled choreography is enough to buy a ticket alone. From dancing inhabitants of New York city opening the show with sustained lifts, charming Sailors doing the Conga to a drunk a passionate ballet in a Jazz Club, Wright's choreographic vision for the show works extremely well. My personal highlight was the number "Conquering New York" where the company creates the hustle and the bustle of the big city using clever movements with props. Although Simon Higlett's design of two huge skyscrapers disappearing into the distance and dirty apartments that fall apart before your eyes are interesting and intelligent, it seems as if the production budget ran dry before the set was able to be finished to make it look truly magnificent.

With so many classic musicals being revived recently theatre goers are more than spoilt for choice, however, the music, talent and choreography of Wonderful Town make this revival a funny and heart warming evening out, perfect for anyone wanting to be whisked away to the good old days of Broadway and the Big Apple.

The Rodgers and Hammerstein's classic musical "The King and I" has landed at the Birmingham Hippodrome this week transporting audiences to Siam with a strong company, tight vocals and even tighter choreography.

From the moment the overture began and projections and shadow puppets filled the stage the audience was captured with the beauty of the piece. Being anxious to begin with I wasn't too sure on what to expect from the Leicester Curve Theatre's revival but I was engrossed from start to end with the captivating love story of an English school teacher and the King of Siam.

David Needham's contemporary Asian inspired choreography is a wonder to watch and is brought to life on stage by a company made up of international dancers. Dare I say this is some of the most interesting choreography I've seen in musical theatre for a long time? Meanwhile, Rodgers and Hammerstein's classic score resonates through the theatre via a live orchestra presented onstage. I had forgotten how lush this score was until I heard some of the most iconic musical theatre songs sung with such passion and control with a wonderful orchestra as the underpinning of the show. Although the set was slightly lacking an "oomph" factor, two giant Buddha's and sliding panels worked well to set the scenes.

Josefina Gabrielle (Anna) and Ramon Tikaram (The King) keep the show churning as they develop the plot with hilarious delivery of dialogue having the audience chuckling along throughout. Their comedic playing is only upstaged by the dramatic ending and their scenes together the last twenty minutes of the musical. Gary Wood as Prince Chululongkorn is captivating to watch as he watches his father dying. A strong company all round, the show's casting director got it perfect.

Originally I wasn't expecting to enjoy this show, a three hour classical musical that I've never been to keen on doesn't seem like the most appealing way to spend an evening, however, my preconceptions were soon diminished when I saw the skill, passion and talent behind this production. It's three hours of what musical theatre should and puts a lot of shows out there to shame... An enjoyable night for anyone.

Evita Returns to the Hippodrome

The Bill Kenwright tour of “Evita” returns to the Birmingham Hippodrome this week to delight audiences with a sweet production.

Abigail Jaye delights as Evita.


Abigail Jaye gives a stunning and sassy performance in the iconic role of Eva Peron. With vocals that melt your ears she overpowers the orchestra and gives a memorable performance of the show tune anthem “Don’t Cry For Me Argentina”. Jaye laps up the audience’s applause and it’s easy to see she’s in her element in the title role. Co-stars Mark Powell and Mark Heenehan (as Che and Peron respectively) support their leading lady well and offer good vocals and steady performances throughout. My highlight performance goes to Sasha Ransley in her role as the Mistress as she melts audience’s hearts with her rendition of “Another Suitcase in Another Hall”. Reuben Kaye as Eva’s lover Magaldi provides a strong character and luscious vocals. The show’s ensemble support the leading players and deliver strong harmonies (and lots of costume changes). The quirky ensemble number “Peron’s Latest Flame” offers a good build up to the act one finale of “A New Argentina”.

The ensemble in the showstopper "Buenos Aires"

Conductor David Steadman has a great Andrew Lloyd Webber score to work with and the musical arrangements are a feast for the ears as audiences are delivered some of their most memorable musical theatre songs ever written. With music ranging from tango to rock, the score helps to develop the story along nicely and allows for some great vocals from the ensemble with haunting harmonies. Matthew Wright’s design stole the show, with a set composing of moving staircases, sliding balconies and shadowing Argentinean pillars, the visual aspect for audiences is delightful.

The production is a nice show, it has all the right elements – good leads, good score, good set but I can’t help but think something is lacking. Maybe it’s the overload of slow ballads, or the lack of “wow factor” effects; I don’t know. Whatever I think, it’s clear to see that audiences love the show from its great success: it’s been playing the UK for a good few years and has even had an international leg on its tour.

Finally a big shout out and round of applause for some of my buddies who are appearing in the show in the Birmingham stop of the tour... I was like a proud father watching you.

A True Night at the Theatre for “Top Hat On Stage” at the Birmingham Hippodrome

“Dress to impress! It's Black Tie and Tiara night...” As I walked the red carpet at the Birmingham Hippodrome Theatre last night I could tell I was in for a true night out full of glitz and glamour. Even before the show began I immediately felt like I had been taken back in time to 1930s Broadway: there were ties and tiaras galore and the people of Birmingham had really gone all out for opening night.

The house lights dimmed and to the audience’s delight the conductor appeared and conducted the 23 piece orchestra under the glow of a follow spot; a definite throw back to the golden age of musical theatre. Three times Olivier Award nominee Summer Strallen and Strictly Come Dancing star Tom Chambers are the perfect duo to lead the strong company of 31 in this musical farce based on love and false identity. They play the roles made famous in the film by Fred Astaire and Ginger Rogers, happy go lucky Broadway star Jerry Travers and the sassy Dale Tremont. Tom Chambers delights the audience with his Fred Astaire tap numbers, especially the act one finale when he is joined by the rest of the company, whilst Summer Strallen charms us with her beautiful rendition of “Better Luck Next Time” as she realises her love life is falling to pits. A personal highlight for me was watching the two leads fall in love in a London park as they tap and sing to “Isn’t It A Lovely Day (To Be Caught in the Rain?)”. Pure brilliance! Other highlights include Martin Ball and Vivien Parry’s act two duet “Outside of That I Love You” as they bicker over their marriage, whilst Ricardo Afonso and Stephen Boswell give genius comedic performances as the Italian fashion designer Alberto and the slightly deluded butler Bates. The cast of 31 continue this delightful performance as they simultaneously tap away in company numbers and bring to life scene including a Broadway stage, an upper class London hotel and a Venice beach.

A big round of applause is in order for choreographer Bill Deamer, mixing ballroom, tap and vaudeville styles to create a visual feast for theatre goers. It all looks perfect on a set designed by Hildegard Bechtler who uses sliding flats, beautiful backcloths and revolving beds to take us to nearly 30 locations. And what’s this show without the music? Although the film only had 5 songs, the creative team dug through Irving Berlin’s back trunk to create a beautiful score that takes us back to the golden era of musicals. Although, I couldn’t help but get distracted by some of the sliding flats getting stuck during scene changes, a few backcloths rising too early (and I’m pretty sure Tom Chambers might have been miming a few of his numbers, forgive me if I’m wrong...)

A big cheer should also go to the Hippodrome staff for hosting the “black tie and tiara” dress code and laying out a red carpet. It’s funny how theatres have spent the past few years making shows more accessible by diminishing dress codes and the affluent nature of the theatre, yet a sense of nostalgia filled the air as the audiences agreed that the theatre should be a place where you can get dressed up and feel elegant.

A 5 star production that deserves every success it gets, and if not more! It’s really good to see a piece of new commercial theatre that’s bringing something fresh to audiences. This show feels old in a sense that it takes you back to a time when theatre was an elegant night out, yet it feels fresh and exciting.

The show plays at the Birmingham Hippodrome until 10th September, before continuing its UK Tour.

Visit for tickets and for details on the show and the rest of the tour.

Dirty Dancing First Ever National Tour (coming to the Birmingham Hippodrome Summer 2012)

The kind people at the Birmingham Hippodrome invited me along to an exclusive press launch for the first ever national tour of “Dirty Dancing” today. First of all, I’m not going to lie; I’ve never seen the movie or the stage show – I’ve been living under a rock...The event was held at Aston Villa Football Ground and included a tour of the ground, drinks reception, lunch, exclusive performances from cast members and a Q&A / photo session.

Upon arrival we were greeted nicely and offered drinks before being shown a stadium tour. The tour included seeing the conference rooms, the pitch and (my favourite part) seeing the home team’s dressing room. I was amazed by the rooms – who knew there were hidden safes behind the team’s shirts? (I’m gonna guess anyone who loves football already knew this...)

Checking out the Villa's dressing room... Click for a bigger version.


After bumping into same familiar faces from other Hippodrome events fellow blogger Alex and I made our way to the main event...

Sitting at one of the press tables, chit chat and socialising was at the top of the agenda - I need to get used to these events and remember that when someone asks “where are you from?” they don’t mean my area, they’re in fact asking me what newspaper, company, ticket agent or TV / radio station I’m from. Following on from a lovely lunch provided by the Hippodrome / Villa Ground, the event began.

Dirty Dancing preview... Click for a bigger version.

James Leece and Charlotte Gooch burst onto stage performing the “Mambo” number: a hot Latin sequence with lifts galore. Karl Sydow (producer of the production) then took to stage to give the audience a general talk about the film, the show and the new tour. Chris Holland and Shonagh Daly then gave us an amazing performance of the song “Do You Love Me?" before all five of the Dirty Dancers held an open question and answer session.

Some interesting questions from the crowd revealed that the tour will include all the famous scenes from the movie (including the water scene, the log scene and of course the infamous lift) and that the production will follow closely to that of the recently closed West End show. However, the original set has been slightly adapted for touring venues (like every other big West End tour). The cast also told some quirky anecdotes about the “lift” going wrong in performances. Who knows? Maybe you’re there the night when Baby’s family have to stop her from face-planting the stage. Before going, the cast gave an extraordinary performance of the famous song “Time of My Life”.

James Leece and Charlotte Gooch perform for the press... Click for a bigger version.

The Hippodrome also revealed today that Dirty Dancing will be the last production to be performed on the current stage. On the 12th August 2012 the theatre will close its doors to undergo a million pound redevelopment of the main stage: a deck that has been there for decades and has seen some of entertainment’s most famous faces perform on it.

After a photo call it was time to leave; my train was full of other audience members discussing how excited they are to see the show (most of them have booked tickets over a year in advance).

Recently closed at the Aldwych Theatre, Dirty Dancing opened in the West End in 2006, breaking all box office records with advance ticket sales of over £15 million, which made it the fastest-selling show in West End history. It has since played to over 1 million people, receiving nightly standing ovations and continuing to enthral and delight. The show is sure to sell out at the Hippodrome soon so booking early is advisable.


Dirty Dancing will appear at Birmingham Hippodrome from Wednesday 4 July to Saturday 25 August 2012.

Ticket Prices: £20-£55 (Concessions available)

Book online www.birminghamhippodrome.com or telephone 844 338 5000.

For more information on the show visit www.dirtydancingonstage.com

Hippodrome Rocked Out By Brian May and the Cast of “We Will Rock You”

Theatre goers and Queen fans were united on Thursday at the Birmingham Hippodrome for the Press Night of the national tour of “We Will Rock You”. The title certainly fits the electrifying musical from the moment the auditorium is filled with smoke, strobe lights and the sound of the band striking up. The music (conducted by Jim Henson) rose deafening heights as the auditorium began to shake with the excitement of 26 of Queen’s hit songs. The popular songs fitted nicely with the storyline about two rebel outcasts in a technological future where real music has been replaced by auto tuned pop songs: it is there mission to save rock and bring back individuality to the Planet Mall and override the Killer Queen and the robotic GaGa kids.

The cast features a lot of well known faces: X Factor’s Rhydian, Hear’Say’s Noel Sullivan, Leon Lopez (Brookside), Jenny Douglas (BBC’s Over the Rainbow) and Ashley J Russell (BBC’s I’d Do Anything) supported by a high energy, slick, and good looking ensemble with dozens of West End credits between them, including the London and international casts of We Will Rock You. There’s not a sign of celebrity stunt casting in sight as each member of the company gives a solid five star performance.

The audience lapped up the vocals from the cast and the interval was full of “aren’t the vocals amazing?” comments. Tiffany Graves (as the Killer Queen) gave us riffs galore during her number “A Kind of Magic” whilst leading lady Amanda Coutts (as Scaramouche) sends shivers through the audience in her opening song “Somebody to Love”. Musical theatre people singing rock songs? Works a treat if you ask me, and just goes to show the versatility of these trained performers.

Full of modern references – characters called Britney Spears and Meat Loaf, numerous Facebook jokes, and cheeky digs at Simon Cowell and his X Factor empire – Ben Elton gives us a script that keeps the audience chuckling along nicely. Arlene Phillip’s original choreography is performed to perfection during the opening number “Radio GaGa” and is heightened by four LCD screens providing us the backdrop of a futuristic world.

The Press Night audience were even treated to a special performance from Queen band member Brian May, playing a exhilarating guitar solo in an encore of “Bohemian Rhapsody”.

Winner of the 2011 Olivier Audience Award, it is clear to see how the show has been selling out across the world since 2002. Even though this tour features a smaller scaled set from the original production it is still a visual feast and will continue to amaze audiences at the Birmingham Hippodrome for another five weeks. Get tickets now or you will be GaGa to miss it.

Visit the Birmingham Hippodrome site HERE for tickets.

Birmingham Hippodrome - Exclusive Theatre Gossip!

The other week I got a general email from the Birmingham Hippodrome requesting people interested in getting involved writing reviews and blogging for the the theatre. I instantly hit the reply button telling them I would do anything they want me to... It worked!

Now I am a First Night Reviewer for the theatre. After our first meeting yesterday we already have lots of exciting plans ahead.

I'll be filming and blogging from their "Six Summer Saturdays" events which take place around the city for six Saturdays over the summer. Lots of events are taking place, which I get to go to an exciting preview of next week... I'll be sure to report on what to expect!

In the meantime check it out here...
Six Summer Saturday's Link

In addition to that, I'll be working with theatre to report back on some of their top shows including reviews from the Press Night of "We Will Rock You", all the gossip from the press launch of the UK Tour of "Dirty Dancing" and lots more...

The Hippodrome has it's own blog, letting you know what goes on behind the scenes which you can view HERE.

But, if you want all the extra gossip The City Dream's the place to be!

Amanda Holden, Shrek the Musical, Drury Lane?

Rumour has it that Britain's Got Talent judge Amanda Holden is to open in Shrek the Musical at the Drury Lane Theatre in London when the Broadway transfer opens in 2011.

(Remember you heard it here first!)

Defying Gravity - Glee Cover.

Defying Gravity (Glee Cover!)
Watch it, comment it, spread the word... :-)

Noises Off - A Classic Farce

I sat at the Birmingham Rep flicking through my programme and I immediately knew I'd be laughing hysterically for the next two and a half hours... Inside the programme for "Noises Off" was a programme from the play within the play entitled "Nothing On". My prediction was correct; the rest of the evening I laughed my socks off at the slick slapstick, outragious acting and the rib tingling dialogue.

The play features a bunch of - erm amazing - actors getting ready to put on a farce. But as the play progresses, there's more drama backstage than in front of the scenery. Complete with a million entrances and exits of misconfusion, missing sardines and stage managers that have to understudy for alcoholic actors the script is a perfect recipe for disaster (in the play within the play... Not the actual play.)

There were some stand out performances, especially from the half naked Djalenga Scott who acts as the diva "Brooke" and spends half of her time half naked on the stage. Her energetic, charming and cute performance had the audience in fits of laughter as she pranced about the stage during her "Nothing On" performance and strutted and tutted during the "Noises Off" section... If that makes sense?



The set is clever, the play in the play takes place in a nice country home and with high walls, many doors and a grand staircase the set helps to keep the slapstick giggles flowing. Then, in Act Two, we see the play from backstage, at this point the audience gets a true feeling for what it feels like to be backstage at a theatre: swinging doors create much humour, rattling staircases create energy and fake walls that actors must "duck" behind in order for them to get from one side of the pretend stage to other creates much laughter, especially when the "duck" joke is carried on into the rest of the play (and the play within the play).



Overall, it was a wonderful night out: with a wonderful script, fabulous acting and an amazing feel good vibe, "Noises Off" makes for a perfect evening for anybody of any age and any interest.

West End News

The past few weeks have seen the London theatre scene buzzing with excitement: Danielle Hope is to be Andrew Lloyd Webber's new leading lady, Sister Act sees a cast change, Lee Meed joins Wicked and of course, Hair had it's closing notice.

It's a full range of emotions.

Let me tell you, Danielle Hope was definately the right decision for Dorothy, she had the charm, charisma and passion whilst the others seemed to lack the acting skills needed for such an iconic role - that is to say the other potential Dotties won't go on to great and wonderful things. For a start, many of them have been auditioning for shows and drama schools.

Sister Act had it's cast change which bids farewell to the great performers but I'm sure it welcomes some wonderful replacements... Shame it's set to close before the of the year.

In a similar fashion Lee Mead recently joined Wicked as Fiyero, replacing Lewis Bradley who was temporarily acting in the role whilst Lee finished other projects, Lewis has returne to his understudy position. Funny how they were both finialists on "Any Dream Will Do" and Lee won? Ironic? What's even more ironic is the fact that Rachel Tucker (the new Elphaba) was also a finalist on Webber TV talent search... It seems that's the only way to get into the industry these days.

And of course, the hippy musical Hair recieved it's closing notice recently. We say goodbye to the show on Sept 9th. Shame. Where else do you see naked hippies in London?

And there we have it... Highs, lows and the domination of Andrew Lloyd Webber in the West End...

Wicked the Musical: Nik-Shaw Backstage.

Life as a standby in the theatre can be boring at times, never knowing when you're next on... However, "Wicked's" standbys fill their time by making us wonderful videos detailing life backstage in the West End.

Click here to see the first Nik-Shaw Video.

West End Alert: Sister Act to close in London?

A few weeks ago I posted the following blog:
"As I was lerking around Twitter today I came across some suprising rumours... Sister Act the musical looks like it might close! (insert dramatic chords here)

However shocked I am it all seems to make sense... According to my inside theatre people, the London Palladium is set to house the new West End production of "The Wizard of Oz" (with the Dorothy that Andrew Lloyd Webber has been searching for) and Sister Act is rumoured to be going on a UK tour.

Complete bad times! The show has been open for roughly a year, not long enough at all in my opinion. However "Oz" isn't set to open until Spring 2011. Does that mean we might have Sister Act playing atleast until the end of the year?

Meh, that's showbiz. Remember, you heard it here first!"

Now it seems it's all true! (insert more dramatic chords here)

The show is to close 1st Jan 2011 and from the 31st May 2010 Simon Webbe (from boyband "Blue" fame) will be joining the cast as Curtis Shank.

In it's place at the London Palladium, "The Wizard of Oz" will commence it's run from 29th March 2011...

So, get your tickets for both shows before the Sister's make way for Dorothy!

"UNNATURALLY GREEN." One of the finest blogs I've ever read!

UNNATURALLY GREEN. My first job. My first blog.: FAQs and Coming Attractions

A blog for all those theatre fans, Wicked fans, blog fans, and just people fans! This blog is written by Felicia Ricci and details her life as a standby in the sit down production of "Wicked" in San Francisco.

Broadway Openings

The past few days have saw the opening of two completely different musicals on Broadway. The first: a clasic revival, the second: a brand new rock musical. However different they appear to be, they have one thing in common: rave reviews. The two shows I'm talking about are "La Cage Aux Folles" and Green Day's "American Idiot" (respectively).

La Cage follows the story of Georges and Albin - who happen to work at a drag nightclub. George's son is ready to marry but first his fiancee's parents must meet George and Albin. Think "Meet the Fockers" and you've got the picture. This current production is a transfer from the West End and stars Kelsey Grammer as Georges
Douglas Hodge as Albin/Zaza. The show opened April 18th and has been getting some amazing reviews, including the all important New York Times review. The New York Times states “THIS VERSION OF LA CAGE TRIUMPHS!” (What more could a Broadway show ask for?)

As for American Idiot, the musical is based on the songs from the Green Day album (think Mamma Mia / We Will Rock You style). The show premiered at the Berkley Rep in 2009 before transferring to the St James Theatre on Broadway and opening April 20th. The musical follows Johnny, Will and Tunny going through the struggles of teenage life, throw is pregnancy and drugs scandals and you've got the picture. And what did the NY Times think of the show? Well, the title of the review sums it all up "Stomping Onto Broadway With a Punk Temper Tantrum". (Read the full review here: http://theater.nytimes.com/2010/04/21/theater/reviews/21idiot.html)

So, we gave Broadway La Cage, could Broadway be kind enough to lend American Idiot to the West End?

Each show is sparkling in it's own right, (La Cage has enough sparkles for all of Broadway,) and with Tony season just around the corner, who knows what could happen?

Glee is back!

Tonight sees the return of the hit TV show Glee for it's UK fans... Reports suggest that the new series is even hotter than the original with entire episodes dedicated to Lady Gaga and Madonna.

Tonight's season opener sees Broadway and pop star Idina Menzel star as rival Glee club Vocal Adrenaline's coach. Rumour has it that we may find out that her character might be Rachel Berry's (played by Lea Michele) biological mother when they sing an acoustic version of Poker Face.

Johnathon Groff (once reported to be dating Lea Michele in real life) also makes an appearance in this series.

So, the big questions to be answered is: will Will finally get with Emma? What happens to poor Terry? and Will we find out who Rachel's mother is?

Tune into E4 tonight at nine pm as it all starts to become revealed...

Wicked the Musical - 2009 to 2010 Cast Review

So, last Wednesday I had the opportunity to see the last Wednesday matinee of the 2009 / 2010 West End cast of "Wicked". Having already seen the show numerous times before I knew what I should be expected: the fun "Popular", the spectacle "Defying Gravity" and the twists and turns of the story.

Among the theatre world many people often look down upon the show, saying that it's not well written and has a sloppy score. I completely disagree with these, I think the show is fun, has great songs and has a storyline that anyone and everyone can relate to.

The first time I saw Wicked was all the way back in 2006 when it first opened with Idina Menzel as Elphaba, this time I saw Alexia Khadime as the green girl. I loved her portrayal as the Wicked Witch, however, I wasn't too keen on her singing all the way throughout. She had some great belting moments, but during the softer songs she sounded very nasal-y. However, her acting skills definately brought up her marks. I loved her sense of vulnerability during Act One, helping her to grow and definately giving "Defying Gravity" a meaning behind the lyrics. Her rebelious side in Act Two can clearly be seen from the development of events during Act One. (In fear of getting eaten alive by the Idina Meznel fangirls, I shall refrain from saying "Alexia was better than Idina").

Dianna Pilkington played the role of the ditzy Glinda. Her comic timing was to die for and her vocal skills were definately top notch. Her rendition of "Popular" had the audience in stitches, definately something hard to do on a Wednesday matinee. My personal highlight of her performance for me was her performance during the song "Dancing Through Life", seeing her less ditzy and more intelligent side as she schemes to make Elphaba look a fool and get rid of her "stalker" Boq. Not giving her a horrible side but more of an innocent character unaware of her horrible doings.

The rest of the leads and ensemble cast were absolutely perfect! It was clear to see that the cast enjoyed the performance. One day I hope to play a role in this show! Probably the most suprising part of the show? When the audience gave a standing ovation! A rarity for a Wednesday matinee audience.

The new cast - Rachel Tucker as Elphaba and Louise Dearman as Glinda - definately have something to live up to! I'm interested in seeing how their interpretations differ from the previous cast.