The entire world first dismissed her when Susan Boyle appeared on our screens in that gold dress and crazy hair, but now we are all familiar with the name SuBo, but we're not all clued up about the struggles that Boyle faced throughout her life. But now "I Dreamed A Dream" shows us the true Susan Boyle in a jukebox style musical.
Although the dialogue can be extremely cringe worthy at points (imagine a series of GCSE drama monologues scattered between songs) and some of the choreography had me wincing in my seat (a moment of unnecessary contemporary chair movement, it's hard not to be moved by the truthfulness and honesty behind the storyline and talk of achieving dreams. The short, snappy scenes keep the pace going smoothly and are entertaining to watch. The clever use of TV screen scattered against a backdrop allow the scenes to transition quickly and seamlessly.
Elaine C Smith plays the title role and has a pair of lungs on her, performing some of Susan's signature songs and directly telling the audience her 'fairy story' in between flashes of scenes and songs. The script cleverly overlooks Susan's learning difficulties and Smith portrays an honest telling of her life. The rest of the cast play a number of roles ranging from Boyle's parents, to school bullies, to her best friend. The company string well together and have a strong impact in the development of the plot showing the versatility amongst them. The whole company deserved the standing ovation on press night.
Having sat through Boyle's whole life in two and half hours it's not until the final moment when SuBo herself makes an appearance to sing some of her famous songs that the plot really hits home and makes you realise how inspiring this tale is. SuBo still remains the cheeky performer we all fell in love with and the audience revelled in her stage presence.
After being sceptical on so many levels on another jukebox musical, it's clear to see that the rags to riches fairy story is an all round win. It's the new real life, inspiring Blood Brothers, but with a magical ending.
Showing posts with label hippodrome. Show all posts
Showing posts with label hippodrome. Show all posts
Wednesday, 30 May 2012
Wednesday, 2 May 2012
The Rodgers and Hammerstein's classic musical "The King and I" has landed at the Birmingham Hippodrome this week transporting audiences to Siam with a strong company, tight vocals and even tighter choreography.
From the moment the overture began and projections and shadow puppets filled the stage the audience was captured with the beauty of the piece. Being anxious to begin with I wasn't too sure on what to expect from the Leicester Curve Theatre's revival but I was engrossed from start to end with the captivating love story of an English school teacher and the King of Siam.
David Needham's contemporary Asian inspired choreography is a wonder to watch and is brought to life on stage by a company made up of international dancers. Dare I say this is some of the most interesting choreography I've seen in musical theatre for a long time? Meanwhile, Rodgers and Hammerstein's classic score resonates through the theatre via a live orchestra presented onstage. I had forgotten how lush this score was until I heard some of the most iconic musical theatre songs sung with such passion and control with a wonderful orchestra as the underpinning of the show. Although the set was slightly lacking an "oomph" factor, two giant Buddha's and sliding panels worked well to set the scenes.
Josefina Gabrielle (Anna) and Ramon Tikaram (The King) keep the show churning as they develop the plot with hilarious delivery of dialogue having the audience chuckling along throughout. Their comedic playing is only upstaged by the dramatic ending and their scenes together the last twenty minutes of the musical. Gary Wood as Prince Chululongkorn is captivating to watch as he watches his father dying. A strong company all round, the show's casting director got it perfect.
Originally I wasn't expecting to enjoy this show, a three hour classical musical that I've never been to keen on doesn't seem like the most appealing way to spend an evening, however, my preconceptions were soon diminished when I saw the skill, passion and talent behind this production. It's three hours of what musical theatre should and puts a lot of shows out there to shame... An enjoyable night for anyone.
David Needham's contemporary Asian inspired choreography is a wonder to watch and is brought to life on stage by a company made up of international dancers. Dare I say this is some of the most interesting choreography I've seen in musical theatre for a long time? Meanwhile, Rodgers and Hammerstein's classic score resonates through the theatre via a live orchestra presented onstage. I had forgotten how lush this score was until I heard some of the most iconic musical theatre songs sung with such passion and control with a wonderful orchestra as the underpinning of the show. Although the set was slightly lacking an "oomph" factor, two giant Buddha's and sliding panels worked well to set the scenes.
Josefina Gabrielle (Anna) and Ramon Tikaram (The King) keep the show churning as they develop the plot with hilarious delivery of dialogue having the audience chuckling along throughout. Their comedic playing is only upstaged by the dramatic ending and their scenes together the last twenty minutes of the musical. Gary Wood as Prince Chululongkorn is captivating to watch as he watches his father dying. A strong company all round, the show's casting director got it perfect.
Originally I wasn't expecting to enjoy this show, a three hour classical musical that I've never been to keen on doesn't seem like the most appealing way to spend an evening, however, my preconceptions were soon diminished when I saw the skill, passion and talent behind this production. It's three hours of what musical theatre should and puts a lot of shows out there to shame... An enjoyable night for anyone.
Wednesday, 26 October 2011
Burn the Floor - Tour Review
Flashback ten years and I was one of those kids, you know the Latin and ballroom competitive kids that you see covered in fake tan and sequins? I’ve not waltzed since I was at least ten years old. Now in 2011 the international tour of Burn of the Floor visits Birmingham this week and I find myself in awe of this production.
The show is basically a programme of “reinvented” Latin and ballroom dances and at first I thought it would be another “I can’t wait for the interval” show, but it was anything but! The energy and passion the company oozes is captivating and you find it hard to know where to look with such amazing performers on stage. The short snippets of dance means there’s always something new and fresh happening: no time for boredom! The dances range from slow elegant waltzes to foot tapping jives. The dancing is only enhanced by the clever lighting plot and luscious amounts of dry ice.
The company, made up of dancers from all over the world, has such a great chemistry together and perform as an ensemble with each person being given a chance to show off. The simple set means that the production focus’s fully on the actual dancing and is driven by the talent of the company. These people are the best in the world, having been competing and working in the dance industry since they were kids. And let me tell you, their bodies show their years of dancing... Wearing tight fitting costumes covering half their bodies, this show is HOT. Two vocalists and live percussion support the dancers and help the show to flow smoothly, linking everything together.
I think the success of this show is down to Jason Gilkison, the choreographer for this international hit. His reinvention of traditional dances is perfect for today’s modern audience. The routines are set to songs we all recognise including, “Everybody Hurts”, “Proud Mary” and “It Don’t Mean A Thing”. My personal highlight in the show was the number “After All”, a stunning routine comprising of the waltz, tango, Paso Doble and the rumba.
A special mention should go to Emma Slater: a Birmingham girl currently in the cast who already has a biography comprising of Broadway, West End and movie credits.
I came out with the biggest smile wanting to put my sequins back on and take to the floor. Go and see!
The show is basically a programme of “reinvented” Latin and ballroom dances and at first I thought it would be another “I can’t wait for the interval” show, but it was anything but! The energy and passion the company oozes is captivating and you find it hard to know where to look with such amazing performers on stage. The short snippets of dance means there’s always something new and fresh happening: no time for boredom! The dances range from slow elegant waltzes to foot tapping jives. The dancing is only enhanced by the clever lighting plot and luscious amounts of dry ice.
The company, made up of dancers from all over the world, has such a great chemistry together and perform as an ensemble with each person being given a chance to show off. The simple set means that the production focus’s fully on the actual dancing and is driven by the talent of the company. These people are the best in the world, having been competing and working in the dance industry since they were kids. And let me tell you, their bodies show their years of dancing... Wearing tight fitting costumes covering half their bodies, this show is HOT. Two vocalists and live percussion support the dancers and help the show to flow smoothly, linking everything together.
I think the success of this show is down to Jason Gilkison, the choreographer for this international hit. His reinvention of traditional dances is perfect for today’s modern audience. The routines are set to songs we all recognise including, “Everybody Hurts”, “Proud Mary” and “It Don’t Mean A Thing”. My personal highlight in the show was the number “After All”, a stunning routine comprising of the waltz, tango, Paso Doble and the rumba.
A special mention should go to Emma Slater: a Birmingham girl currently in the cast who already has a biography comprising of Broadway, West End and movie credits.
I came out with the biggest smile wanting to put my sequins back on and take to the floor. Go and see!
Sunday, 7 August 2011
Six Summer Saturday's - Nofit
Chamberlain Square came to life over the Summer as the Birmingham Hippodrome took over with it's "Six Summer Saturday's" project, bringing live outdoor theatre across the city.
Thursday, 30 June 2011
Birmingham Hippodrome - Exclusive Theatre Gossip!
The other week I got a general email from the Birmingham Hippodrome requesting people interested in getting involved writing reviews and blogging for the the theatre. I instantly hit the reply button telling them I would do anything they want me to... It worked!
Now I am a First Night Reviewer for the theatre. After our first meeting yesterday we already have lots of exciting plans ahead.
I'll be filming and blogging from their "Six Summer Saturdays" events which take place around the city for six Saturdays over the summer. Lots of events are taking place, which I get to go to an exciting preview of next week... I'll be sure to report on what to expect!
In the meantime check it out here...
Six Summer Saturday's Link
In addition to that, I'll be working with theatre to report back on some of their top shows including reviews from the Press Night of "We Will Rock You", all the gossip from the press launch of the UK Tour of "Dirty Dancing" and lots more...
The Hippodrome has it's own blog, letting you know what goes on behind the scenes which you can view HERE.
But, if you want all the extra gossip The City Dream's the place to be!
Now I am a First Night Reviewer for the theatre. After our first meeting yesterday we already have lots of exciting plans ahead.
I'll be filming and blogging from their "Six Summer Saturdays" events which take place around the city for six Saturdays over the summer. Lots of events are taking place, which I get to go to an exciting preview of next week... I'll be sure to report on what to expect!
In the meantime check it out here...
Six Summer Saturday's Link
In addition to that, I'll be working with theatre to report back on some of their top shows including reviews from the Press Night of "We Will Rock You", all the gossip from the press launch of the UK Tour of "Dirty Dancing" and lots more...
The Hippodrome has it's own blog, letting you know what goes on behind the scenes which you can view HERE.
But, if you want all the extra gossip The City Dream's the place to be!
Friday, 23 April 2010
Birmingham - City of Culture?
Birmingham (the official second city) has been shortlisted for the City of Culture Award... (Insert cheer here). As I spend a lot of my time within the city, I thought I'd do my bit to chip in and express my feelings on how amazing Brum is.
My main praise I have for the city is the range of theatre events we have. From small street theatre events to larger touring West End musicals, Birmingham has something to offer for anyone from any walk of life.
The main theatre's within the city are the Birmingham Hippodrome, the Birmingham Rep and the Alexandra Theatre, whilst smaller venues include The Old Rep Theatre and the MAC. On top of that, there are many concert venues such as Symphony Hall, the LG Arena, the NIA and the 02 Academy. Whether you're looking for a major musical or an intimate gig, you can find so much going on all year round in the city.
On top of the venues, the city holds annual events such as the International Dance Festival Birmingham and ArtsFest where events and performances take place on the streets and inside some of the venues mentioned above.
It's also affordable. Many theatres and venues offer discounts for students, OAP's, families and schools with some theatre's offering FREE tickets using the "A Night Less Ordinary Scheme". The Rep has some of the best deals, if you're a teenager you can catch one of the major in house productions or a major tour for as little as £5.99 (and that's even for the best seats in the house) or if you join the "A Night Less Ordinary Scheme" you can get in for free. (Other venues also offer discounts and free tickets).
Whether you want to catch a mid week matinee or a light night concert, you're sure to find something for an amazing price and an amazing time.
Some interesting sites:
Birmingham Hippdrome
Birmingham Rep
Alexandra Theatre
A Night Less Ordinary Scheme
And most importantly...
Birmingham Culture
My main praise I have for the city is the range of theatre events we have. From small street theatre events to larger touring West End musicals, Birmingham has something to offer for anyone from any walk of life.
The main theatre's within the city are the Birmingham Hippodrome, the Birmingham Rep and the Alexandra Theatre, whilst smaller venues include The Old Rep Theatre and the MAC. On top of that, there are many concert venues such as Symphony Hall, the LG Arena, the NIA and the 02 Academy. Whether you're looking for a major musical or an intimate gig, you can find so much going on all year round in the city.
On top of the venues, the city holds annual events such as the International Dance Festival Birmingham and ArtsFest where events and performances take place on the streets and inside some of the venues mentioned above.
It's also affordable. Many theatres and venues offer discounts for students, OAP's, families and schools with some theatre's offering FREE tickets using the "A Night Less Ordinary Scheme". The Rep has some of the best deals, if you're a teenager you can catch one of the major in house productions or a major tour for as little as £5.99 (and that's even for the best seats in the house) or if you join the "A Night Less Ordinary Scheme" you can get in for free. (Other venues also offer discounts and free tickets).
Whether you want to catch a mid week matinee or a light night concert, you're sure to find something for an amazing price and an amazing time.
Some interesting sites:
Birmingham Hippdrome
Birmingham Rep
Alexandra Theatre
A Night Less Ordinary Scheme
And most importantly...
Birmingham Culture
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